Musica Asiatica: Volume 5, Volume 5Richard Widdess Cambridge University Press, 1988 M07 7 - 275 pages This is the fifth volume in a series of books devoted to the history, documentation and analysis of music in Asia. The five essays each have a different focus ranging from historical change in the Turkish classical repertoire, speech-tones and vocal melody in Thai court song, ritual theatre music in ancient India, pieces for biwa in calendrically correct tunings and an investigation of the sources for Japanese flute scores from the fourteenth century. |
Contents
Y TANESEITO | 109 |
ROWELL | 140 |
E J MARKHAM L E R PICKEN | 191 |
A J MARETT | 209 |
Contributors to this volume | 268 |
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Common terms and phrases
17th-century 20th-century forms 20th-century version angas appears ayugma Banshiki beats body of score Bunko Cantemir century chán Chōshi Chū Ōga ryūteki colophon composition devr-i kebir Dimitrie Cantemir Edo period elaboration Example Ezgi Figure final flute formal fourfold Gagaku gandharva gestures gītaka Group gu gu hane Heper Hirade Hyōjō Ichikotsu Kagemitsu Kikutei Koinju Komagaku Kyōto Kyū kyūzō Madraka manuscript material mātrā melodic formulas Mevlevi Mevlevî âyinleri modal mode modern monzeki mülazime Netori notation occur Ōga ryūteki yōroku-fu omitted order of pieces original Ōshiki pattern performance peşrev pitch-level pitchpipe primary pitch reconstruction relationship repertory rhythmic cycle Rising-tone śa tā śa Sanskrit second hane segâh segmental tones sequence Sōjō song sources structure suggest syllables Table of Contents Taishiki tāla tempo Tenri teslim third hane tion Tōgaku tradition tunings Ufki Ullopyaka upavartana upohana uşşak Uttara vastu volume Yamanoi ŷan yōryaku-fu