Deadhead Social Science: 'You Ain't Gonna Learn What You Don't Want to Know'

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Rebecca G. Adams, Robert Sardiello
AltaMira Press, 2000 M05 30 - 300 pages

Deadhead Social Science is a collection of papers examining various aspects of the complex subculture surrounding the rock band, the Grateful Dead. Deadheads, as Grateful Dead fans are called, followed the band from venue to venue until the band announced their dissolution in December of 1995 and have continued to follow bands including various surviving members of the Grateful Dead since then. Deadhead Social Science addresses the questions: What is a Deadhead? How does a Deadhead identity evolve? Why would a person choose an identity that would be viewed negatively by a larger society? Why are Deadheads viewed negatively by the larger society? Is the Deadhead community a popular religion? How did a rock band develop a religious following? The book also examines the music, the role of vendors, and the reaction by "host" communities to the Grateful Dead and its following. One key theme in Deadhead Social Science is the interconnections among teaching, research, and personal interests written from a variety of social science disciplinary traditions.

 

Contents

Acknowledgments
7
Foreword
9
Introduction
13
Collaborative Research and Learning
15
Music
49
2 The Grammar of the Grateful Dead
51
Improvisation as Social Interaction
75
Spirituality
107
7 Community Reaction to Deadhead Subculture
183
Identity
201
8 Becoming a Deadhead
203
9 An Eriksonian Perspective on the Journey Through Deadhead Adulthood
215
10 Selfconcept and Egoextension among Grateful Dead Fans
227
Mediated and Negotiated Readings
241
Conclusion
265
12 Studying Deadhead Subculture
267

Popular Religion in Contemporary American Culture
109
Music and Meaning in the Early Unlimited Devotion Family
129
Outside the Show
155
The Bizarre Bazaar
157
Author Index
281
Subject Index
284
About the Contributors
295
Copyright

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About the author (2000)

Rebecca G. Adams, PhD, Professor of Sociology and gerontologist in the School of Health and Social Sciences at University North Carolina Greensboro, has published 5 books and more than 70 scholarly articles and chapters, including more than 15 on Deadheads. She has taught about Deadheads on tour (1989), on campus, (2000s), and online (2019); presented at the SWPACA Grateful Dead Caucus, at other professional meetings, and to student audiences; written popular press articles about Deadheads, published a fictional piece situated on Dead tour, conducted audience research for Grateful Dead Productions, and narrated Deadheads an American Subculture (1990). She attended her first Dead show in 1970.

Robert Sardiello, MA, is adjunct professor of sociology at Nassau Community College and has published several scholarly pieces concerning Deadheads. He attended his first Dead show in 1977.

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